The Adventures of Priscilla Queen of the Desert (Extra Frills Edition)

This wonderfully inventive, visually stunning and incomparably funny Australian import about three drag performers braving the vast, rugged outback won the 1994 Academy Award(r) for Costume Design. Christening their battered pink tour bus "Priscilla," this wickedly funny and high-drama trio head for the Outback...and into crazy adventures in even crazier outfits. Veteran actor Terence Stamp (Star Wars: The Phantom Menace), Hugo Weaving (The Matrix), Guy Pearce (L.A. With a contract to perform a drag show way out in the Australian desert, Tick (Weaving), Adam (Pearce) and Ralph (Stamp) each has his own reason for wanting to leave the safety of Sydney. Confidential) all give hilarious ? and heartfelt ? performances in a three-fishes-outta-water story that's "one of the wildest movies ever made" (Rex Reed, New York Observer)! You go, girls! They came. They conquered. They looked fabulous.

I got to meet Girlina and Lasdy Bunny and all the voguing Queens--we were doing something totally different but Queens are trick everywhere aren't they. I was working as one of a pair of male backup dancers (an "earring") for a drag-queen troupe called Glamourworld. For example when the queens are climbing Kings Canyon each of their headdresses are a distillation of their individual personalities. The costumes were literally finished when they would tear them out of my hands. She didn't seem to mind 'cause Oscar looked roool perty!

Beyond The Adventures of Priscilla Queen of the Desert Cross-Dressing 101 The Adventures Of Priscilla, Queen Of The Desert: Original Motion Picture Soundtrack More from MGM Stills from The Adventures of Priscilla Queen of the Desert Getting there on a pink bus named Priscilla, the trio stop and play for people all over the Outback, getting the same homophobic, bewildered responses. I don't consciously look for inspiration. They were all great fun and still people I count as good friends. Bernardette is the Evil Queen, Mizti has lipsticks, rollers and pacifiers, and Felecia has Cupie dolls that are staring at themselves in little mirrors. If something started to break there was always the hot glue gun and a handful of glitter to disguise any lumps and bumps. In your opinion, who looked the most beautiful (lead roles) in drag, who was the most fun to work with? They were all beauties. How funny is that? What inspires you--what movies stand out to you as having great costumes? It all goes in and just comes out this way. --Tom Keogh

The Adventures of Priscilla Queen of the Desert Extras Watch Director Stephan Elliot talk about the film's iconic costumes.

An Interview with Priscilla Costume Designer Tim Chappel How much of costume design is your own inspiration / how much is inspired by the character? I rarely have creative free reign like I had on Priscilla. Then they get handed to the Costumier that builds a toile (a practice one). Fortunately Mitzi, Felacia, and Bernardette were outrageous drag queens so that was not only easy bit great fun. Any idea the film would take off to become an enormous hit and cult classic as well as meaning so much to fans around the world? We thought we were basically making a home movie; it wasn't until we had the 15-minute standing ovation at the Cannes Film Festival that we knew we had created a DRAG MONSTER! On Priscilla however I simply grabbed whatever I had around or worked out which costume could be sacrificed and started gluing and sewing and hoping for the best. I used to make all our costumes and we were pretty successful. Then once everyone has had their input - or cocked their leg as it seems more of the time, I do the finished sketches. I butchered a Rock and Roll Barbie. The use of detail is also vital; sometimes you can't even see it but the actor will know its there and much detail, even though you can't literally see it, becomes absorbed in a more subconscious way. Terence told us he wanted to look like Holly Golightly but he soon gave up on that idea. Of course the Director is trying to convey very specific ideas and using texture, color and contrast your job is to build, along with your team, that visual statement. What is the process of physically rendering the costumes? Do you build them by hand? Work with a team? Hit vintage stores? I usually begin by sketching roughs. We got to have a buying trip to NYC in '92--WOW. Guy Pearce had a background in musical theatre so he was prone to stealing the show. Priscilla was one of those rare situations where the powers that be said "Go for it". The weak link in the film is dialogue that seems to have been pulled from "Queer Movie Banter for Dummies," all bitchy and cliché-ridden but fortunately salvaged by strong acting. That gets fitted on the talent and we all um and ah--hopefully more ooh and ah if it's working well. We even toured Asia going to Hong Kong, Shanghai and Ho Chi Mihn city--all on DragOn Air. If you could dress Oscar (of the Academy Awards) - what would you have him wear? My Oscar was on display in Australia's National Gallery in an Exhibition called "The Sights and Sounds of Australian Film." Oscar had purple hair and a disco tube dress. I got involved because Stephan needed a Costume designer who could do everything: design, sew and wear--if necessary. I like to think of myself as a creative distillery. Each medium requires special attention. Where did you get the inspiration and know-how regarding costumes? Was there research involved? How did you get involved in doing this movie? I started with the music and let it send me in a delirious creative free fall and took notes as I spun. Then we have a second fitting to perfect the fit and a final fitting to see the final project. These get signed off on literally becoming a visual contract. There was a moment at Kings Canyon when Terrence said that something was bothering his forward and I looked over to see a single drop of blood run down his brow--whoops, with only $12,000 US there was no room for comfort. Did any of the actors on Priscilla have any costume concerns? Was anyone concerned the costume would overpower their performance? The actors were all good sports. The characters are my babies. He actually looked quite beautiful at times I thought. All design is meant to build character and help move the story along. The most fun comes whenever the three are performing; fans of Abba will be particularly pleased. A surprise hit in America, this 1994 Australian comedy is anchored by Terence Stamp as a transsexual who, in the company of two drag queens, travels to a remote desert location to put on a lip-synch performance--to the amazement of the locals. What's the difference between cinematic fashion and street (real people) fashion? I.e., does it have to be "bigger" if it's on the screen? There are lots of differences between what you wear on the street, on stage, or in stills. Hard as it may seem, there are nuances that aren't obvious. For example in film you have to find out what kind of film stock is being used, what kind of filters and the general visual feel that the production designer and cinematographer are trying to go for.